The Antwerp Port House, designed by Hadid, has signified a battle between past and present. Similarly through the concept of futurism, and how it seemed to explore new forms of architecture, whilst opposing the traditional conventions outlines by buildings of the past. When understanding the comparative differences between new and old it cannot be misinterpreted. Clearly understood through the short movement between the panoramic lift from the former fire station, to the entrance of the office building on the first floor. The extension seeks to glorify the technological advances of the dynamic modern world. This is shown through its sharp angled facades and its choice of high-tech materiality, predominately consisting of glass and aluminium. Having no relationship to the qualities of its subdued host, the extension seeks to undermine the original building through subversion with its multifaceted, geometric shape. Futurism a movement seeking to oppress the weight of past cultures and lifestyles, instead encouraging to celebrate the modern world of industry and technology. Originally constituted in Italy, just before the First World War. The movement was short-lived, however, it left a great impression, where the energy of movement and modern life was encouraged. The ideas of distortion, cubism and neo-impressionism were greatly appreciated. The Works of Giacomo Balla, Gino Severini, Umberto Boccioni, underline these ideologies, such as the abstract Speed and Sound Painting of 1913, 1912, Dancer at Pigalle, oil painting, and the 1914 Spiral Expansion of Muscles in Action sculpture.These pieces of work have not only influenced its expression through art but through the way we live today. The movement has influenced generations of architects including Hadid, allowing them to see a city in a more radicalised manner, a site of speed and constant change, based on the possibilities of ever advancing technologies. The belief of imagining the impossible.